Searching for the ideal of beauty in all its artistic manifestations or for an oasis to feel safe from hostility, artists, writers, architects, filmmakers, designers, historians and intellectuals, in general, had historically made of Florence their home. In just one hour, it is possible to discover all the places where some of the most outstanding writers of recent times lived.…
We all are born to die, and the awareness of this truth acts as torture for many and as a relief for others. Standing in the centre of the present piazzale Donatello, the English Cemetery (Cimitero degli Inglesi) was laid out in 1828 by the architect Carlo Reishammer, for the Swiss Community, outside the 14th-century walls and the Porta a Pinti (demolished in the later 19th century). When the whole area was rearranged by Giuseppe Poggi, the cemetery stood out as a prominent feature, an ‘island of the dead’ surrounded by traffic.
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The Società Canottieri Firenze (Florence Rowing Club) has its headquarters in the terrace just below the Galleria degli Uffizi. Like any other private club, it is only accessible for its privileged members. No need to say that it is the best place with a view to Ponte Vecchio in solitude and in all its magnificence, oblivious to the hectic passage of people a few meters above, fighting for a spot from where taking the obvious Florence selfie.…
Stefano Bardini (1854-1922) was a prominent Italian antiquary who decided to transform his collection into a museum and donate it to the city of Florence. The building, a magnificent palace eclectic in style, where the museum has its headquarters, was acquired and restored by Bardini in 1881, in order to be used for his antiquarian trade activity. The antiquary modified the structure adding new gates and stairs, used medieval and Renaissance stones, chimneys, in addition, he affixed painted coffered ceilings. Bardini transformed the old building — the former church and convent of San Gregorio della Pace — into a wonderful neo-Renaissance villa, where, besides the exhibition halls, there were workshops so that the pieces were restored before selling them.
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Florence is not only synonymous with the Middle Ages and Renaissance. Its streets hide other equally valuable treasures that no one expects to find, as samples of the Liberty style, the Florentine art nouveau of the late nineteenth and early twentieth centuries. It is quite a decorative style in wrought iron, with floral and animal motifs, linear and curved forms. The Liberty patterns found opposition, hostility and criticism in Florence, as it was believed that these buildings broke the architectural uniformity of the city.
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In this less-traveled park, not especially projected to attract tourists, on a Saturday noon you will find a couple of people lying on the benches sunbathing, reading, drinking beer or walking dogs. The fact that it looks semi-abandoned gives it an attractive decadent appearance. Formerly the Fabbricotti villa and the park belonged to the Strozzi family.…
The Boboli Gardens date back to 1418 when Luca Pitti bought its land in Oltrarno intending to build the magnificent Pitti Palace, later owned by the Medici family. The Medici commissioned the landscaping to Niccolò Tribolo, the famous architect responsible for the gardens of their villas of Castello and La Petraia. However, after the premature death of Tribolo, it was Bartolomeo Ammannati who finished the job. The Boboli is the paradigm of the 16th-century Italian garden, as well as one of the most significant historical parks in Florence. Around the principal axes are placed avenues, hedges, terraces full of statues and fountains. The first operas of history were also represented in its open-air amphitheatre.
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Perched on a hill top of Castello, with a panoramic view of Florence, this astonishing 14th century villa was first owned by the Brunelleschi family and the Strozzi, before being home to Cosimo I de’ Medici and his offsprings. It was also the favourite residence of Vittorio Emanuele II in the company of her lover Rosa Vercellana. Its significance has paved the way for restorations throughout the centuries, thus becoming declared UNESCO World Heritage in 2013 and an asset of the state museums today. Not to miss are the famous lunettes painted by Giusto Utens — each representing a Medici villa and garden —, the sculptures of Giambologna and a wander lost in its gardens. There is a guided tour in Italian every 30 minutes. Free entrance.
It is said that Cosimo I de’ Medici built an underground tunnel from Boboli gardens and Palazzo Pitti passing under Torrigiani and Corsi Annalena gardens to go to the Florentine country side without being seen and molested. This last one, a small size private garden takes its name from countess Anna Elena Malatesta, whose adjacent palace is today the legendary Pensione Annalena. At the end of 18th century, the garden was acquired by the Corsi family, hence its actual name Corsi Annalena, and designed by the architect Giuseppe Manetti. It is located in Oltrarno, between Via dei Serragli, Via de’ Mori and Via Romana, facing the Boboli gardens. Numerous terracotta sculptures representing different mythological characters ornament the green field. One of the fountains has a copy of Verrocchio’s Putto con delfino. The garden, with a uniform style inspired in the neoclassical cannons and indisputable beauty, has also a glasshouse. Beside its reduced sized, it has several semiprivate ambients that allow the visitor to isolate in an atmosphere prone to instant infatuation. Nowadays the garden Corsi Annalena is private and it is only open on special occasions.
To visit the gardens it is mandatory to call +39552280105 or send an email to scarsellistefania@yahoo.it
Giardino Corsi Annalena – Via Romana 38
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Each year Florence is ready to witness the flowering of the iris in the giardino dell´Iris. It is located in piazzale Michelangelo and was founded in 1954 with the aim of organizing an annual international contest to reward the best varieties of iris. Florence is considered the natural home of the iris because of the bond that this flower always had with the history of the city. The emblem of Florence is a red iris in a white field, and not a lily, as is mistakenly believed. The site offers panoramic views of the city thanks to a surface of approximately two and a half hectares on the hill of an olive grove. It is divided by paths and stone paths, flowerbeds and stairs. Here one can see the variants of the iris: intermediate and dwarf bearded, Japanese, Sibiric, Louisiana … In addition to guided tours in Italian and English, watercolor painting courses are also offered.
Monday through Friday from 10a.m. to 1p.m. and from 3p.m. to 7:30p.m. Saturdays and Sundays from 10a.m. to 7:30p.m. Last admission, half an hour before closing time. Free entrance…