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Paco Neumann |
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Leonardo da Vinci said: “Just as a well-used day produces a sweet dream, a well-used life produces a sweet death.” Death and life are two sides of the same coin. We fear death as children fear the darkness. But in fact, one should fear life more than death. What happens after death has been the great “incognitum” of humanity since its foundation. Death makes us reflect on life’s value.…
The Arno River severely overflowed on November 4, 1966, provoking what is commonly known as ‘l’alluvione di Firenze.’ The city of Florence and part of Tuscany were inundated by the floods, causing an impact affecting the economic and cultural environment of Florence. Fortunately, as November 4 was a bank holiday, many businesses were closed, and a large part of the population was at home, thus avoiding an even bigger disaster. Nevertheless, 101 people died, 5,000 families lost their homes, and 6,000 businesses had to close. The deluge also destroyed and/or damaged countless works of art, prominent buildings and books. The damages could be repaired thanks to the efforts of Italian citizens, international committees and foreign donors. Piero Bargellini (1897-1980), writer, historian, politician and intellectual, was the mayor of Florence in that awkward moment.
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Florence is an inexhaustible source of secret treasures, an immortal city that every day gives us lessons of living history. One only needs to open the eyes and pay attention to little details present in the morphology of the city, those details that provide stimuli to the curious souls for nostalgic history. Located one meter above ground level, on the walls of several historical buildings in the city centre, it is possible to glimpse a tiny hole or the so-called “wine window” (buchetta del vino). This was the name given to the notches opened up on the walls of the noble palaces in the 17th century when, following a commercial crisis in Florence, the authorities granted the owners of the vineyards to supplement their income with the retail sale of wine. Through these holes were sold the famous «fiaschi» of wine, which are the typical glass bottles of Chianti, with a spherical shape, long neck and base covered with braided straw. The price of the wine was lower than in the taverns and often in these «buchette del vino» there were small wine jugs and bread for the poor people.
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Searching for the ideal of beauty in all its artistic manifestations or for an oasis to feel safe from hostility, artists, writers, architects, filmmakers, designers, historians and intellectuals, in general, had historically made of Florence their home. In just one hour, it is possible to discover all the places where some of the most outstanding writers of recent times lived.…
We all are born to die, and the awareness of this truth acts as torture for many and as a relief for others. Standing in the centre of the present piazzale Donatello, the English Cemetery (Cimitero degli Inglesi) was laid out in 1828 by the architect Carlo Reishammer, for the Swiss Community, outside the 14th-century walls and the Porta a Pinti (demolished in the later 19th century). When the whole area was rearranged by Giuseppe Poggi, the cemetery stood out as a prominent feature, an ‘island of the dead’ surrounded by traffic.
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The association I Renaioli was founded in 1995 to keep alive the tradition of old boats used to sail the Arno River. Additionally, the goals are to recover, conserve and maintain the Arno vessels along with the promotion of navigation using traditional boats in the Arno; encourage the expansion of the pole rowing and last but not least, the protection and conservation of the fluvial ecosystem as historical and environmental heritage.…
The Società Canottieri Firenze (Florence Rowing Club) has its headquarters in the terrace just below the Galleria degli Uffizi. Like any other private club, it is only accessible for its privileged members. No need to say that it is the best place with a view to Ponte Vecchio in solitude and in all its magnificence, oblivious to the hectic passage of people a few meters above, fighting for a spot from where taking the obvious Florence selfie.…
Everyday, I get up and go to bed with the Cappelle Medicee. And it is not a metaphor. It’s the first thing I see when I open the windows in the morning and as I close them at night. Indeed, I appreciate this view. God has so many prayers to answer that I have decided just to refer mine to the Medici. The Medici chapel in the Basilica of San Lorenzo in Florence comprises two structures added to Brunelleschi’s original design. Currently, the chapel is one of the State´s museums of Florence as well as the burial place of the Medici family. Its Sagrestia Nuova was designed by Michelangelo. The opulent Cappella dei Principi, dedicated to the Grand Dukes of Tuscany, was raised in the sixteenth and seventeenth centuries and is completely covered with splendid coloured marbles. But unfortunately, and since I can remember, is still under restoration.
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Stefano Bardini (1854-1922) was a prominent Italian antiquary who decided to transform his collection into a museum and donate it to the city of Florence. The building, a magnificent palace eclectic in style, where the museum has its headquarters, was acquired and restored by Bardini in 1881, in order to be used for his antiquarian trade activity. The antiquary modified the structure adding new gates and stairs, used medieval and Renaissance stones, chimneys, in addition, he affixed painted coffered ceilings. Bardini transformed the old building — the former church and convent of San Gregorio della Pace — into a wonderful neo-Renaissance villa, where, besides the exhibition halls, there were workshops so that the pieces were restored before selling them.
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Galileo Andrea Maria Chini (Firenze, 1873 – Firenze, 1956) was an Italian decorator, designer, painter, potter, and a prominent member of the Italian Art Nouveau movement or Stile Liberty. His theatrical labour includes sets designs for some Puccini’s operas. Thanks to his work in ceramics, he was awarded at the universal exhibitions in Brussels and St. Petersburg. At Chini Museum visitors can discover a permanent collection dedicated to the works and history of Galileo Chini and his family, as well as temporary exhibitions.…